Monday, May 20, 2013

Dune by Christian Dior c1991

Dune by Christian Dior: created by Jean-Louis Sieuzac, Dominique Ropion and Nejla Bsiri-Barbir under the guidance of Maurice Roger and was launched in 1991 (in USA in 1992).


Inspiration:



An homage to Christian Dior's childhood home in Granville, where sea meets land, Dior created the fragrance Dune. An invitation to escape, a search for happiness and one's inner self. Dune symbolizes the union of land and ocean, of woman and nature.

A peaceful promenade gracing the beach in Granville. A quest for universal harmony infused with emotion and sensations. The fragrance of a woman who is both powerful and fragile, who draws her inner strength from nature.

Dune symbolizes escape into the world of dreams where only peace resides; it’s a place where sun kisses the sea, rays of light gently caresses the skin and twinkle in the warm sand while the twinkling ocean breeze brings flowery wafts peony and lily.


The Launch:


Adweek's Marketing Week - Volume 33, Issues 1-13, 1992:
"Next fall Christian Dior Perfumes Inc. will launch its first women's fragrance in the U.S. in six years. The product, called Dune, made its debut in Europe and the Middle East in 1991."

Parfums Dior rented the Chateau de Vaux-le-Vicomte to celebrate the launch of Dune. At the door, a sign apologized for any inconvenience caused by the use of the room to introduce Dior's new "Dune" perfume. The general assumption among the watching tourists was that the estate must have served as a location for the shooting of a Dior TV commercial.

1 oz of Dune parfum originally cost $185 in 1993.




The Flacon:


The simple, transparent and luminous bottle subtly traces the curve of sand dunes, representing serenity and inviting enchantment.

Its innovative bottle with rounded edges is designed by Veronique Monod/Equipé Parfums Christian Dior. Dune also won a 1993 Fifi Award. 


Philantrophy:


Playbill, 1992:
"Mindful of current concern about the environment, Christian Dior looked to the sandy shores of Biarritz for inspiration when creating its new fragrance, Dune. The scent unites lily, wallflower and peony with the oceanic notes of broom, lichen and musk."
Who, before, would have bought a fragrance named Dune? The fragrance is meant to “restore inner balance and harmony with nature,” says Maurice Roger. president of Parfums Christian Dior. 
For emphasis. Dior pledged $350,000 to The Nature Conservancy over three years for coastal dune protection is the cornerstone of Dior's nationwide Protect the Dunes initiative. The Conservancy plans to use the first year funds to preserve three important dune ecosystems, including more than 4,000 protected acres, as well as for a public service campaign to raise awareness of the fragility of dunes.
Christian Dior will formally present The Nature Conservancy with the initial donation of $150,000 at the Christian Dior Boutique in New York on Oct. 5, 1992. "Today, more than ever, corporations must respond to our planet's problems and its citizens' concerns," said Robert Cankes, Christian Dior Perfumes' U.S. president and chief executive officer. "The donation is Christian Dior's contribution to the preservation of the pure and natural coastal environment that inspired our newest fragrance, Dune. It recognizes The Nature Conservancy's vital role in protecting coastal ecosystems." 
Commenting on Christian Dior's gift, John C. Sawhill, president and chief executive officer of The Nature Conservancy, said, "Scientists estimate that the '90s hold the key to preserving the ecological integrity of the planet. That's why it's important for the business community with companies like Christian Dior to reach out and form partnerships making preservation programs possible." 
In conjunction with the U.S. launch of the fragrance, Dune, Christian Dior is encouraging the 500 Dune launch stores nationwide to create awareness for dune preservation through a variety of in-store education efforts, including showing of the public service announcements and distribution of consumer literature. 
The Nature Conservancy is an international non-profit organization that preserves plants, animals and the natural communities that represent the diversity of life on Earth by protecting the lands and water they need to survive. 
WHERE WILL THE MONEY GO? The first-year funds will be dedicated to three dune preserve projects that contain unique examples of coastal dune ecosystems:

  • The Atlantic Double Dunes Preserve, located in Amagansett, Long Island, N.Y., spans 200 acres and stretches 2.5 miles. The exposed primary dune areas closest to the water represent the harshest environment on the Atlantic coastal plain. These dunes have historical significance as the former site of major whaling operations. In addition, Fowler's Toad, an extremely rare marine-edge amphibian, can be found along this stretch of beach.
  • The Lanphere-Christensen Dunes Preserve in Northern California is a 338-acre dynamic ecosystem combining beach, forest and dune. Strong winds create dunes 80 feet high, which harbor the evening primrose, morning glories, Seaside Daisies and Menzie's wallflower, a rare and endangered plant that grows in only six other locations in the state.
  • Located six miles north of Santa Barbara, Calif., and stretching 18 miles, the Guadalupe-Nipomo Dunes comprise one of the last areas of undeveloped coastline in the state. The Nature Conservancy manages more than 3,500 acres of the dunes, home to species like the Indian paintbrush and surf thistle. 
WHAT WILL THE MONEY DO? The Nature Conservancy will use this donation for continued land management, protection, and stewardship of dune projects. This includes ongoing scientific study and monitoring of endangered plant and animal species that depend on the dune system for survival.

Fragrance Composition:



This floral-oceanic oriental fragrance is subtle and radiant, evoking the nature of the Granville seashore and inviting us to join in a sublime sensory experience: the vibrant harmony of a bouquet of amber-scented flowers evolving in their freshness and wrapped in sensuality.

So what does it smell like? It was a linear parfum (not formulated on the standard three notes) styled as fresh-fruity-woody-oriental with floral notes of lily, rose, jasmine and peony, on base notes of amber, broom sandalwood, musk and lichen.
  • Top notes: bergamot, mandarin, palisander, aldehyde, peony, broom
  • Heart notes: jasmine, rose, ylang-ylang, lily, wallflower, lichen, iris
  • Base notes: vanilla, patchouli, benzoin, sandalwood, ambergris, oakmoss, musk


Dune was available in:

  • 1 oz Eau de Toilette 
  • 1.7 oz Eau de Toilette 
  • 3.4 oz Eau de Toilette



It was originally available as:

  • 1 oz Parfum 
  • Esprit de Parfum 
  • Body Milk
  • Body Cream
  • Body Lotion
  • Dusting Powder
  • Perfumed Soap
  • Shower Gel
  • Deodorant Spray

The Esprit de Parfum was introduced in 1995 and is a highly concentrated Eau de Parfum. It also had a more pronounced bouquet of rose, iris and vanilla.

Dolce Vita by Christian Dior c1994

Dolce Vita by Christian Dior: created by Pierre Bourdon and Maurice Roger and launched in 1994.


Inspiration:


A happiness potion, Dolce Vita is a sensual, voluptuous fragrance that is simple and contrasting, hinting at a carefree, joyous walk along the Italian Riviera. This dazzlingly feminine fragrance illustrates Christian Dior's fascination for Latin women.

Vanity Fair, 1994:
"Bellini-esque" is not an adjective that could have been applied to the launch party for Dolce Vita, a new Christian Dior perfume, at the Plaza's Grand Ballroom."

This perfume of joy and happiness reminds us of hot and sunny summer days-the scent of easy living.



Fragrance Composotion:

This dazzlingly feminine fragrance features joyous fruity and floral notes with the spicy, sensual accents of cedar. It epitomizes Dior's glorious spirit. Made use of aromachemical Dihydro-beta-ionone which is described as having a woody floral, slightly fruity odor.

So what does it smell like? This is a sweet floral oriental fragrance with a spicy woody base.
  • Top notes: grapefruit, peach, rose, bergamot, cardamom, lily
  • Heart notes: peach, apricot, Brazilian rosewood, cinnamon, lily, magnolia, heliotrope,
  • Base notes: sandalwood, vanilla, cedar, coconut




Flacon Design:


The Dolce Vita bottle combines glass and perfume artistry in the tradition of luxury. The transparent yellow gold gleams through the facets carved into the glass with amazing clarity.




Dolce Vita by F. Demachy:


Magnolia and Cinnamon notes enhance the woody base of Dolce Vita. This final accord, which is generally masculine, intensifies the modernity of this extremely feminine fragrance. 

Dolce Vita, the fragrance of happiness recalls the carefree, heart-lifting nostalgia of driving a convertible along the Italian Riviera. A dazzlingly feminine and joyful fruity/floral fragrance with spicy, sensual undertones of cedar, it incarnates the spirit of Dior in all its sumptuousness.




Dolce Vita was originally available as:
  • Parfum
  • 1.7 oz Eau de Toilette
  • Body Lotion
  • Bath & Shower Gel
  • Dusting Powder
  • Brume Parfumee/Body Mist
Dolce Vita is available as:
  • 3.4 oz Eau de Toilette

Eau Svelte by Christian Dior c1993

Dior Svelte, originally, a skincare line launched in 1993,  later introduced Eau Svelte in 1995, as a two-in-one body treatment fragrance formulated with skin care ingredients. The eau de toilette formula included hyaluronic acid to moisturize, aloe vera and cooling menthol to give skin a refreshed feeling.


Fragrance Composition:


So what does it smell like? It is classified as a fruity floral fragrance for women.
  • Top notes: citrus
  • Middle notes: flowers, black currant
  • Base notes: musk Unfortunately, this fragrance has been discontinued.


Eau Svelte was reformulated and relaunched in 2011, though the fragrance is classified as a green floral and smells different.

  • Top notes: citrus and foliage
  • Middle notes: jasmine, ylang-ylang
  • Base notes: musk, rosewood 

Sunday, May 19, 2013

Diorling by Christian Dior c1963

Diorling by Christian Dior was launched in 1963, during a decade of profound social and stylistic change. The name itself, Diorling, is a clever and affectionate play on the word Darling, styled through a distinctly British lens. Christian Dior had a well-known fondness for English culture—its aristocratic poise, country elegance, and the polished charm of the upper classes. In choosing the name Diorling, Dior infused the fragrance with that genteel spirit, suggesting the way a refined Englishwoman might purr the word darling with a warm, rounded accent. The result is a name that feels at once intimate, playful, and elegant—suggesting both endearment and a touch of light-hearted sophistication.

The word Diorling evokes images of a well-heeled woman in riding boots and a crisp hacking jacket, her perfume trailing behind her like a whispered compliment. It conjures scenes of garden parties, London salons, and misty mornings in the countryside—where poise and polish are balanced with wit and independence. There’s a certain duality to the name, just as there is in the fragrance itself: soft yet strong, romantic yet composed.

When Diorling debuted in the early 1960s, the world was transitioning out of the rigid formality of the 1950s into a new era of youthful energy and experimentation. This period, often referred to as the Swinging Sixties, was marked by shifts in fashion, music, and culture. While mod fashion and pop culture would soon define the latter half of the decade, the early '60s still clung to a sense of tailored elegance. Diorling landed right at this crossroads. It was the embodiment of an emerging type of femininity—confident, graceful, slightly irreverent, and distinctly modern.


Sweet Sun by Dior c2004

Sweet Sun by Christian Dior: launched in 2004. A limited edition, Sweet Sun, Eau de Bienfait Parfumee, an alcohol-free sensual fragrance which evokes the feelings of summer.  The fragrance includes the pro-endorphin, Vitamin E, which gives a natural feeling of pleasure. The bottle is reminiscent of a sunscreen lotion bottle.

Originally retailed for $40 at Christian Dior boutiques.


Fragrance Composition:


So what does it smell like? It is classified as a floral oriental fragrance for women.  
  • Top notes: mandarin, orange
  • Middle notes: Tiare flower, jasmine
  • Base notes: vanilla, musk, ginger
Sweet Sun Dior for women
Vibe, 2004:
"Try Dior's Sweet Sun fragrance by Christian Dior for a sexy mandarin like scent."

Femina, 2004:
"FOR A SPECIAL TREAT Dior Bronze Sweet Sun Treatment Fragrance combines vital anti-ageing skincare with a delicious, alcohol-free scent to wear all day long."

Glamour, 2005:
"Dior's new beach scent Vitamin E-enriched, alcohol-free and subtle, this beachy fragrance passed the "I love this!" sniff test with every editor in Glamour's office. Dior Bronze Sweet Sun, $40, Nordstrom"

Remember Me by Christian Dior c2000

Remember Me by Christian Dior : created by Nathalie Lorson and launched in 2000. A limited edition eau de toilette, that was only available in limited numbers exclusively at the Paris boutique, then by 2001, was offered at Sephora stores.




Fragrance Composition:



So what does it smell like? It is classified as a Floral Green fragrance for women.
  • Top notes: yuzu, hyacinth, bergamot
  • Middle notes: mimosa, violet, lilac, white jasmine, lily-of-the-valley, hawthorn
  • Base notes: Provencal iris, sandalwood, white cedarwood

Glamour, 2001:
"YOU'LL BREEZE THROUGH SUMMER when you waft on by in this crisp new floral fragrance. Christian Dior Remember Me, $45."

Afrique magazine, 2001:
"SUBTLE For this celebration of love, the Christian Dior creates Remember Me, an eau de toilette the devastating charm."

Diorissimo by Christian Dior c1956

In the spring of 1956, Diorissimo was born—a perfume that would mark a radical departure from the opulent, heavy fragrances dominating the post-war years. Conceived by legendary perfumer Edmond Roudnitska, the fragrance was a deeply personal endeavor. Roudnitska, known for his restrained and visionary style, set out to create something radically new: a scent that was clear, light, and emotionally resonant—a far cry from the overly sweet, densely composed perfumes popular at the time. He envisioned a perfume that would reflect purity and renewal, one that captured the delicate yet emotionally powerful aroma of lily of the valley, or muguet, blooming in the spring garden of his home in Cabris, in the south of France.

In 1955, Roudnitska met Christian Dior, and the timing was serendipitous. Dior, known for revolutionizing fashion with his New Look in 1947, longed to create a fragrance that would represent his personal essence. He believed that perfume was “the finishing touch of a dress,” and viewed scent as an extension of his style philosophy. With Diorissimo, he found what he called "the scented expression of his soul."

The name “Diorissimo” is distinctly French in construction, blending Dior’s name with the superlative suffix -issimo, borrowed from Italian, meaning “most” or “very.” So, “Diorissimo” loosely translates to “most Dior” or “utterly Dior”—a poetic, almost musical expression of the designer’s identity. It is pronounced "Dee-oh-ree-see-moh". The word evokes a sense of elegance, intimacy, and timeless femininity—an echo of haute couture in perfume form. It conjures an image of Dior’s quintessential woman: refined, radiant, and effortlessly chic, strolling through a sunlit garden of delicate spring blooms.

The mid-1950s was a period of rebirth and transformation, both in fashion and perfumery. Post-war austerity had given way to abundance, and Dior’s New Look—with its cinched waists, full skirts, and hyper-femininity—reshaped how women dressed. In fragrance, however, the market was still saturated with the rich orientals and aldehydic florals that had defined the previous decades. Perfumes like Shalimar, Arpège, and No. 5 dominated the scene, favoring complexity and depth. Diorissimo, by contrast, felt like a breath of fresh air—transparent, natural, and emotionally evocative. It was not merely another floral; it was an olfactory impression of spring itself.



Poison by Christian Dior c1985

Poison was launched in Paris in 1985, trademark records show that the name was trademarked in 1983.




The Beginning:


Poison was the first fragrance that did not use the Dior name in it's title like Diorella, Diorama, Dioressence, Diorissimo, Dior-Dior, Miss Dior. Dior Dior was a failure which led to a massive corporate shake up a decade before. This fragrance sought to invigorate the company's stable of fragrance products, which appeared to be losing their flavor and edge with the consumers.

Recalling the success of the hedonistic 70’s fragrances Opium by Yves Saint Laurent and Scoundrel by Revlon, “I think we should have had this 10 years ago,” notes Jean Pierre Lippman, president of Christian Dior Perfumes, USA.

Dior reported that their worldwide sales in 1984 were $152.7 million. But the United States contributed only 18 percent of volume, and only 30 percent of that was attributed to US fragrance sales. They projected that 1985 would not even be that good. “Our fragrances did fairly well last year,” Lippman said. “In 1985, it has been a little flat in the fragrance business, with the exception of fragrances like Obsession and Giorgio.”

Susan Biehn, vice-president for advertising and creative services at Dior, explained, “Today you must cause women to pause to think about a fragrance. Obsession did it through its advertising. Dior will do it through the name and the scent itself.”

Biehn said the name was chosen because it is “revolutionary. It‘s an adventurous name for an adventurous product. The name was definitely created to make you pause,...you gift the gift of ‘Poison‘ to a perfume who lives that type of life.” She added that, "With so many new fragrance introductions, one has to have something [like a name] to make the customer stop and say 'Oh my goodness, what is that?' It's interesting to note that in Europe, the word Poison - in French it is poizon - is understood in a trendy sense. For example, she is a poison, translates to, she is a special woman, different, a character." 

Dior Perfumes defined Poison as "a new temptation a new seduction a new emotion". No joke, Poison was Dior's newest scent.

Dior spent $10 million in advertising for Poison, said Bill Slater, then the senior vice president and general manager of Christian Dior in New York. Bloomingdales stores in Stamford, Connecticut, and an eight other US locations had the exclusive rights to sell the perfume until September 1986, after that, Poison debuted in other stores. “We were looking for something to shock the consumer,” Slater said in an interview, "the name is provocative and it stops the customer, each year it becomes more difficult" to attract the public's attention.

“Poison is an innovative and daring concept in women’s fragrances,” says Biehn. “With so many new fragrances introduced each year, it is necessary to break through the noise surrounding these launches. We realize the name Poison is controversial, but we feel that as long as we handle every aspect of this fragrance nobly, there’s nothing to fear. Knowledgeable woman are not afraid to try Dior’s Poison, because they know it is harmless and enticing to men.”

“With Poison, we wanted to say something, shocking in all languages”, Slater said. Why would anyone choose the name Poison for perfume? Slater stated that “if someone says to you, “Would you like to smell poison?” you’re interested because everyone wants to know what Poison smells like. "It's all in how Poison is going to be taken. It's not done with a skull and crossbones," warns Slater.

“It is an adventurous name for an adventurous product...you give the gift of “Poison” to a person who lives that type of life,” Biehn said.

Designer Halston, who thought that the name Opium was “kind of an odd social statement,” found that the “naming of Poison to be an example of “the true decadence of the fashion business. I think it’s just being done to create controversy. You can’t tell people to go in and ask for a bottle of Poison.”

The department manager of Stamford, Connecticut’s Bloomingdales said that “People don’t like the name, but they think it’s a wonderful fragrance. I hear a lot of negative things about the name, but I hear some jokes too. Some people come by and say “Can I have some Poison?”. Some people were wondering whether the musky name Poison is consistent with the sweet floral scent of the perfume.

In 1986, the Daily Herald newspaper reported that Joan Kuffel, a nurse at River Trails Junior High School in Prospect, Illinois, explained why Northwest Suburban parents and teachers hoped to launch a national campaign to urge the Christian Dior company to change the name of its perfume, Poison, or to persuade television stations to ban its suggestive commercials. “How can you call something poison? We have taught (children) what poison is. Now all of a sudden poison is supposed to be sprayed all over their mother.”


The Scent:


Like many perfumes, Poison had its name before it had its scent.. More than three years before it’s launch, Maurice Roger, Dior’s international company president, license the word Poison,. He asked his team to come up with a revolutionary fragrance, unlike any which had gone before. Three years and then tested nearly 800 sample scents developed by independent perfumers.

The resulting mauve colored mixture was created by Edouard Flechier of Roure Bertrand DuPont, and consisted of wild berries, orange blossom, honey, Ceylonese cinnamon, Russian coriander, Malaysian pepper, amber notes, opoponax and cistus labdanum is so unusual the company boasted that “it does not yet have a branch on the fragrance tree.” It was the most audacious scent they had ever created .

In Poison (Dior 1985) the following synthetic ingredients were used: aldehyde C18, gamma-decalactone, methyl salicylate, eugenol (carnation), damascenones alpha and beta (fruity-flowery and honey-like character), heliotropin (heliotrope), coumarin (tonka bean), and vanillin (vanilla), with great emphasis on methyl anthranilate (orange blossom and tuberose). 
 


Poison is classified as a soft oriental fragrance for women. It has a top note or Russian coriander, Malaysian pepper and Ceylonese cinnamon, fruity notes of wild berries and orange blossom, honey and amber notes of labdanum.
  • Top notes: aldehydes, West Indian pimento, bay, Sicilian mandarin, Zanzibar clove, plum, Calabrian bergamot, Malaysian pepper and Russian coriander
  • Middle notes: Ceylonese cinnamon, French carnation, wild berries, Tunisian orange blossom, Provencal honey, lily of the valley, Grasse rose, French orris, myrrh, peach and Egyptian jasmine
  • Base notes: Abyssinian civet, ambergris, incense, Tibetan musk, benzoin, labdanum, myrrh, opoponax, Canadian castoreum, Atlas cedar and Mysore sandalwood


The Flacon:

The bottle was painstakingly researched, it is shaped like an apple and made to fit snugly in the palm of your hand. This makes me think of Snow White and the poisoned apple, or Eve eating the apple from the tree of knowledge that poisoned her and Adam’s paradise.


The color scheme for the fragrance - amethyst purple and emerald green - was chosen because it was “bold, rich and different from all other brands,” said Dior’s president of the US operation Jean Pierre Lippmann. The exact shade was accident, he said , the result of a miscalculation during the developing of a promotional roll of film. The crystal ball stopper, the magical amethyst bottle and boxed inside an emerald green moire presentation case.

Poison was originally available in the following concentrations:


Esprit de Parfum (still being sold in 1996).
  • 1.7 oz Splash
  • 1 oz Splash
  • 0.5 oz Splash
  • 1 oz Spray
  • 0.33 oz Refillable purse spray

Esprit de Parfum Concentration Proche du Parfum - "soft perfume concentration" (debuted in 1987, still being sold in 1992).


 

Eau de Toilette
  • 0.17 oz Mini Spray
  • 1.7 oz Spray
  • 3.4 oz Spray
  • 6.8 oz Spray
  • 1.7 oz Splash
  • 3.4 oz Splash
  • 6.8 oz Spash







Eau de Cologne:
  • 0.25 oz Refillable purse spray
  • 1 oz Spray
  • 1.7 oz Spray
  • 3.4 oz Spray
  • 6.8 oz Spray

Christian Dior also followed up with other versions of Poison, including a softer smelling Poison Light Cologne in June 1989.

Light Cologne (still sold in 1994)
  • 1.7 oz Splash
  • 3.4 oz Spray
  • 3.4 oz Splash


The Launch:

Dior was sinking millions into the product because it had hopes that Poison would given Christian Dior more of the fragrance market, Slater also said. “In the US, we’re in the top 10 in fragrance and cosmetics but we should be much, much stronger”, he said “We’re hoping Poison is a springboard…and will help project us into greater volume. You can't tiptoe into this market, said Slater, you have to march.”

Through early August, the perfume had generated $500,000 in sales, which is the best launch the company had ever had, said Slater. “But the main test is not the launch, but the release. And the resale in Europe is tremendous”, he added. So far, Poison was test marketed in the USA, France, England and Japan.

The promotional displays in the stores were as big as the money Dior was spending. There were giant purple factices, dummy bottles, surrounded by free, long, scented peacock feathers, gift samples and models dressed in green jackets and black skirts heralding the fragrance’s debut. The ads for Poison showed a heavily made up model with a perfume bottle in her hand and a panther skulking in the background.

At Poison's launch the Galeries Lafayette in Paris, in October 1985, it was an exciting event, with much fanfare, considerable press coverage and enormous crowds were treated to an image of a huge facsimile of a perfume bottles was lit by lasers and hung from the ceiling . All of Paris it seemed, wanted to try this fragrance. The perfume sold at the rate of one bottle every 50 seconds in the Galeries Lafayette said Jacques Perusse, the vice president of Prestilux, the Montreal company that represented Dior perfumes in Canada.

Poison quickly spread through Europe with a similar reaction. At Harrod’s in London, that bottle was the centerpiece of the stores Christmas catalog. At CK Tang in Singapore, the fragrance was everywhere- in boutiques on each floor, in every show window, on floor to ceiling banner, and most on the wrist of most customers and most importantly shoppers scooped up the perfume at a rate of a bottle every 42 seconds.. In Australia, $500,000 was spent on Poison’s promotion which included a lavish launching party, a press luncheon, cinema and magazine advertisements plus in-store promotions. Poison was the top scent in France, Italy, Holland, Germany, Switzerland, Spain and the Middle East.

Poison left its mark overseas, with a promotion campaign and introductory sales that industry veterans call the most dramatic they have ever seen. The perfume reached North America via Vancouver, in July to coincide with Expo ‘86, and it quickly outsold sales of four other Dior fragrances. Between August 18th-23rd, 1986, it was sold exclusively in Eaton’s stores in Canada. On August 25th of that year, store such as Bretton’s, the Bay, Holt Renfrew and other major stores in Canada offered Poison.

“They never really had a successful fragrance here,” said Allan G. Mottus, a consultant in cosmetics. “It’s tremendously important to them because it would give them credibility with American retailers.” At the same time, if Poison fails, Dior would have even less credibility, making it hard to mount another assault on the American market.

To succeed in the United States, a fragrance must be formulated and pitched differently from the approach in Europe, Mottus revealed. Poison is a longer lasting scent, important to Americans, who dislike spritzing themselves with perfume throughout the day. It is relatively strong, another asset in the American market. He added that one’s sense of smell weakens with age, and the American consumer is growing older.


Awards:

Poison won the prestigious Catherine de Medici’s Award for fragrance of the year in 1986. Two years later it won the equally prestigious FiFi award.




Ancillary Products:

The company also debuted a complete Poison bath line including soaps and lotions. 


A bangle bracelet for the perfume Poison, introduced in 1985. This great looking bracelet is actually a perfume bottle, that can be worn as a bracelet. Black and green enameled bracelet bottle with brass detailing with clear crystal ends. One end screws off to hold perfume. Has an outside circumference of 11 1/2” and a diameter of 4”. Signed Poison, Christian Dior and Paris.

Today, you can still purchase Poison on Dior's website (2023).




Success is Spelled F-L-A-N-K-E-R:

Poison continued to be very successful and was followed by several flankers. Tendre Poison in 1994, Hypnotic Poison in 1998, Pure Poison in 2004, Midnight Poison in 2007, and Poison Girl in 2016, as well as various limited edition flacons over the years.







Tendre Poison was created by Edouard Flechier in 1994. The bottle design is the work of Veronique Monod. Unfortunately, this fragrance is currently discontinued.
  • Top notes:  Brazilian rosewood,  asafoetida, mandarin orange, galbanum and tangerine
  • Middle notes: rose, freesia, tuberose, honey, and orange blossom
  • Base notes: heliotrope, sandalwood, musk, and vanilla


CLICK HERE TO FIND TENDRE POISON BY DIOR



Hypnotic Poison was created by Annick Menardo and launched in 1998. Hypnotic Poison appears to have had a reformulation around 2006, then again in 2009, it may have also been reformulated in 2011.
  • Top notes: caraway, allspice, apricot, plum and coconut
  • Middle notes: tuberose, sambac jasmine, lily-of-the-valley, rose and Brazilian rosewood
  • Base notes: jacaranda wood, musk, sandalwood, almond, and vanilla

CLICK HERE TO FIND HYPNOTIC POISON BY DIOR 


Today, you can still purchase Hypnotic Poison on Dior's website (2023).


Pure Poison was created by Carlos Benaim, Dominique Ropion and Olivier Polge in 2004. Pure Poison appears to have had a reformulation around 2011.
  • Top notes: Sicilian mandarin, sweet orange, bergamot, and jasmine
  • Middle notes: gardenia, and orange blossom
  • Base notes: musk, cedarwood, sandalwood, and white amber

CLICK HERE TO FIND PURE POISON BY DIOR

Today, you can still purchase Pure Poison on Dior's website (2023).



Midnight Poison created by Jacques Cavallier and Olivier Cresp of Firmenich in collaboration with Francois Demachy of LVMH in 2007. Midnight Poison appears to have had a reformulation around 2011. The original bottles have silver toned collars, on the reformulated bottles, the collar is gold toned. Unfortunately, Midnight Poison was discontinued in December of 2013.
  • Top notes: mandarin and bergamot
  • Middle notes: black rose
  • Base notes: patchouli, amber and French vanilla


CLICK HERE TO FIND MIDNIGHT POISON BY DIOR




Poison Girl was created by Francois Demachy in 2016. It is classified as an oriental vanilla fragrance for women.
  • Top notes: Sicilian bitter orange, lemon
  • Middle notes: Grasse May rose, Damask rose, orange blossom
  • Base notes: Venezuelan tonka bean, Sri Lanka sandalwood, tolu balm, almond,vanilla, heliotrope, Cashmeran


 

CLICK HERE TO FIND POISON GIRL BY DIOR


Today, you can find Poison Girl at Dior's website (2023):


Limited Editions & Collector's Flacons:


The Seductress Amulets:

In 2006, the house of Dior released the Seductress Amulets. These are limited edition 15 ml phial shaped purse sprays in Poison, Pure Poison, Tendre Poison and Hypnotic Poison; each comes with 2 refills and is packaged in a satin pouch with funnels. These originally retailed at $50 each.

CLICK HERE TO FIND THE POISON AMULETS


L`Elixir:


In cooperation with perfumer Francois Demachy , Dior presented three new versions of already existing perfumes Midnight Poison, Hypnotic Poison and Pure Poison, in the form of an "elixir" in 2008. Presented in their traditional bottle colors and fitted with retro-glamour atomizers. 30 and 50 ml. (Eau de Parfum)

L`Elixir Hypnotic Poison features licorice, star anise, jasmine and vanilla.

L'Elixir Midnight Poison features caramel and vanilla.

L'Elixir Pure Poison features petitgrain, green mandarin orange, orange blossom, Sambac jasmine, sandalwood, bitter-sweet almond, vanilla and cocoa bean absolute.


CLICK HERE TO FIND THE POISON L'ELIXIRS



Hypnotic Poison Eau Sensuelle:

Hypnotic Poison Eau Sensuelle: created by Francois Demachy in 2010. Unfortunately, this fragrance has been discontinued.

  • Top notes: Damascus rose, ylang ylang and orange blossom absolute
  • Middle notes: tuberose, vanilla orchid, and green leaves
  • Base notes: vanilla, sandalwood, and musk



CLICK HERE TO FIND HYPNOTIC POISON EAU SENSUELLE BY DIOR



Valentine's Day Collector Flacons:

For Valentine's Day 2008, Dior presented a limited edition trilogy including Pure Poison, Hypnotic Poison and Midnight Poison. The fragrances are available as 40ml (1.4 oz) eau de toilette bottles. The beautiful bottle designs were inspired by 17th-century Chinese carved jade snuff bottles. Floral motifs which just like a lace touch and capture the bottles are perfectly adjusted to its curves.

Original prices were:
  • Hypnotic Poison Collector, Eau de Toilette Vaporisateur 40 ml (1.4 oz.fl.) – €64,13 
  • Pure Poison Collector, Eau de Toilette Vaporisateur 40ml (1.4 oz.fl.) – €74,26€ 
  • Midnight Poison Collector, Eau de Toilette Vaporisateur 40ml (1.4 oz.fl.) – €74,26 





Success Also Spawns Imitation:


Poison also had its imitators. With its slogan `If You Like Dior's Poison, You'll Love Turmoil.' Parfums de Coeur had sales of the fragrance of $60 million in 1986 . 

Fabulous Fakes also created a copycat fragrance which they touted “If you like Poison, try our No. 56.”

Beware of Fakes! Poison has been terribly faked. Here are some photos of a fake bottle and box that I had received in a large lot of Poison perfumes. I have found that the fake Poison boxes are imprinted with the same batch code "7A01" and the bottle has the same batch code. Shown in comparison is my own bottle of genuine Poison.



 Notice the shape of the collar.

 The name Poison and Dior is a gleaming metallic gold finish on the real one,but a dull gold on the fake.


 The genuine cap is thicker and not as opaque as the fake.

 The genuine spray head has CD on the top, this is missing on the fake.


 Notice the difference in the labels.


The mold lines in the fake bottle are not smooth on the genuine bottle.

Notice the printing on the box is off center here.




For more photo comparisons and tutorials on fake Poisons, please see the individual entries on Hypnotic Poison, Pure Poison, Midnight Poison and Tendre Poison.



The screenshot below is taken from my original Christian Dior Perfume Bottles Blog, now defunct.



Saturday, May 18, 2013

Chris 1947 by Christian Dior c2003

Chris 1947 by Christian Dior: launched in 2003 as a limited edition eau de toilette. Only a small number of editions were produced and was sold in larger European perfumeries and some airport duty-free shops.



Original retail price was $50 for 1.7 oz.


Fragrance Composition:


So what does it smell like? It is classified as a fruity-floral fragrance for women.
  • Top notes: Paradise seed, cranberry, reed. 
  • Middle notes: freesia, cactus blossom, sweet pea, lily of the valley
  • Base notes: musk, precious woods

The bottle has the same form as the perfume Diorissimo, though it is pink and glittery—which makes this edition glamorous in accordance with a rock star image.

Chris 1947 Dior for women


Vibe, 2004:
"Chris 1947 (1-800-929- DIOR). Dior's new feminine fragrance may sound like a graf tag— "Chris" for Christian, "1947" for the year of his couture debut-but it smells way better than spray paint."

Dior-Dior by Christian Dior c1976

Launched in 1976, Dior-Dior is one of Christian Dior’s more enigmatic fragrance names—at once simple and yet loaded with intention. The name "Dior-Dior" is not a descriptor of scent or fantasy, as was often the case with fragrances of the time. Instead, it is a doubling of the house's name, a deliberate echo. In French, it would be pronounced dee-or dee-or, though spoken smoothly, almost as one melodic utterance. This doubling is more than a branding device—it implies emphasis, identity, and allure. It is an incantation, a summoning of the Dior ideal. By saying it twice, the brand asserts its own legend, evoking a woman who is entirely and unapologetically Dior—elegant, bold, and sensually commanding.

The name also evokes a sense of excess and duality. In a period defined by experimentation and extremes—glamour versus naturalism, tradition versus modernity—the mirrored name suits the moment. It conjures imagery of mirrored boudoirs, high-shine fabrics, gilded cosmetics cases, and high heels clicking on marble floors. Emotionally, Dior-Dior suggests confidence, mystique, and a slightly decadent femininity—a woman fully conscious of her presence, who enjoys her perfume as an extension of her charisma.

The mid-1970s were a time of social transformation and aesthetic contradiction. Coming off the free-spirited experimentation of the late 1960s and early ’70s, fashion and culture began to turn toward a more stylized, often extravagant expression. This period—wedged between the flower-child idealism of the past decade and the glossy, hedonistic glamour of the 1980s—was rich with artistic tension. It is sometimes referred to as the “me decade,” defined by personal empowerment, individualism, and self-expression.

In fashion, Yves Saint Laurent was championing opulence with his Russian and Opium collections, Halston was creating sleek silhouettes for Studio 54, and Dior under Marc Bohan was leaning into structured femininity and refined elegance. Meanwhile, makeup became bolder—strong brows, glossy lips, shimmered cheeks—while hair was styled into voluminous waves or sleek chignons. The woman of the mid-70s toggled between bohemian sensuality and tailored sophistication.

Dior Me, Dior Me Not by Christian Dior c2004

Dior Me, Dior Me Not by Christian Dior: launched in 2004 as a limited edition eau de toilette. Only a small umber of editions were produced and was sold in larger European perfumeries and some airport duty-free shops.




Original retail price was $50 for 1.7 oz.

Fragrance Composition:


So what does it smell like? It is classified as a floral woody musk fragrance for women.
  • Top notes: sweet pea, aquatic notes, green notes
  • Middle notes: violet, freesia, peony, wild rose
  • Base notes: cherry wood, crystal musk

The bottle is made of light blue glass and it has the same shape as Diorissimo perfume. The inscription “Dior Me” is on one side and “Dior me Not” is on the other side of the bottle.



"Vibe, 2005:
"Dior Me, Dior Me Not by Dior-  The combination of sweet pea and cherrywood musk makes this a playful scent, $50, 1.7 oz."

Dior Star by Christian Dior c2005

Dior Star by Christian Dior: created by Beatrice Piquet and launched in 2005 as a limited edition eau de toilette. Only a small number of editions were produced and was sold in larger European perfumeries and some airport duty-free shops.




Original retail price was $50 for 1.7 oz.


Fragrance Composition:


So what does it smell like? It is classified as a fruity floral fragrance for women.
  • Top notes: mandarin orange, petitgrain, bergamot
  • Middle notes: peony, honeysuckle
  • Base notes: almond,  musk

Diorama by Christian Dior c1948

Diorama by Christian Dior was launched in France in 1948, reaching American audiences by 1949. The name "Diorama" marked the first in a now-iconic tradition of Christian Dior incorporating his own name into his fragrances—a signature branding strategy that fused couture with olfactory artistry. But why “Diorama”? The word itself derives from French, coined in the early 19th century and rooted in the Greek di- meaning "through" and horama meaning "view" or "scene." Originally used to describe immersive theatrical displays that created the illusion of vast panoramic worlds within enclosed spaces, the word evokes drama, spectacle, and visual depth.

Applied to fragrance, "Diorama" conjures the idea of a perfumed tableau—a layered, sensory experience designed to transport the wearer into a richly constructed world. It hints at something opulent, artful, and carefully curated—like stepping behind a velvet curtain into Dior's private vision of glamour. The emotional resonance of the word in 1948 would have been especially potent. Emerging from the shadows of World War II, Europe was reimagining itself, and Dior was at the very center of that cultural rebirth.

The fragrance was released just one year after the launch of Dior’s revolutionary New Look in 1947—a post-war fashion renaissance characterized by soft shoulders, cinched waists, and full skirts, reintroducing feminine luxury and abundance after years of wartime austerity. The world Dior envisioned for women was one of curated elegance, polished silhouettes, and unapologetic beauty. In this context, Diorama as a fragrance offered a similarly lush escape. It wasn’t just perfume; it was a scented diorama—a small, personal theater of sophistication.



Dioressence by Christian Dior c1969

Dioressence, launched in 1969 by Christian Dior, arrived at the cusp of a cultural turning point—a time when tradition and rebellion, elegance and experimentation, were colliding in nearly every area of life, including perfumery. The name Dioressence is part of a naming convention familiar to the house of Dior, following earlier signatures like Diorissimo and Diorama. By embedding the brand name into his perfumes, Dior wasn’t just marketing—he was establishing a kind of olfactory lineage, a series of scented “portraits” of the Dior woman.

The word Dioressence is a coined term, a portmanteau that merges “Dior” with the word “essence,” derived from Latin essentia, by way of French. In this context, “essence” evokes both the aromatic distillation and the abstract idea of a woman’s essential nature—refined, elusive, sensual. The name suggests that this perfume is not just a scent, but the distilled spirit of the Dior ideal. It speaks to timelessness, femininity, and mystery. The emotional tone of the name is rich, poetic, and intimate. Visually, it conjures deep velvet, candlelit rooms, and lingering warmth on skin.

When Dioressence debuted, it was the end of the 1960s—a tumultuous and transformative decade. Culturally, the world was pivoting between the mod aesthetics of early '60s London and the freer, bohemian spirit that defined the decade’s end. The late '60s marked the rise of counterculture, civil rights movements, second-wave feminism, and radical shifts in fashion and beauty. The Paris runways were shifting too—while Dior still offered timeless elegance, there was a growing embrace of sensuality, individuality, and exoticism. This moment in time is often called the "late modern" or "psychedelic" era, bridging classic postwar couture with the coming edginess of the 1970s.

For a woman of the late 1960s, Dioressence would have spoken to both her sophistication and her desire for freedom. The scent’s name alone suggested allure and depth. She may have already worn Miss Dior or Diorissimo, but Dioressence presented something darker, more mysterious, more sensual. It was, in essence, a fragrance that invited a woman to explore her power and complexity.

Diorella by Christian Dior c1972

Diorella by Christian Dior debuted in 1972, at a moment when the world—and perfumery—was undergoing sweeping cultural shifts. The name itself, Diorella, is a lyrical invention that blends the house name "Dior" with a feminine, almost fairytale-like suffix "ella." It is widely believed that the name was inspired by Cinderella—a storybook reference suggesting youthful charm, transformation, and romantic fantasy. Pronounced dee-oh-REL-lah, the name has a light, musical rhythm to it, evoking a playful, radiant femininity. Though it is not a word with a direct translation in any particular language, its construction is unmistakably European in flavor—Italianate in its cadence and glamour—which would have appealed to the early 1970s woman's growing desire for cosmopolitan sophistication. It conjures images of golden afternoons, sheer scarves caught in the breeze, and a confident woman stepping lightly through sun-drenched streets.

The early 1970s marked the dawn of what would become known as the second wave of feminism, an era that encouraged women to express themselves with greater independence, freedom, and sensuality. Fashion had turned away from the structured silhouettes of the 1950s and early 60s; instead, styles embraced fluidity, natural fabrics, and a looser, more liberated form of elegance. The “natural look” was in vogue—tanned skin, long hair, minimal makeup—and this shift was mirrored in perfumery. Fragrances moved away from heavy, aldehydic florals and overtly animalic blends. Instead, green, fresh, citrusy compositions came into favor—scents that suggested cleanliness, vitality, and uncontrived beauty.

Diorella fit perfectly into this cultural and olfactory climate. It was a modern chypre: green and mossy, yet radiant and juicy, a bridge between the crisp masculinity of Eau Sauvage (also composed by Edmond Roudnitska in 1966) and a breezy, feminine sensuality. Roudnitska, working from his laboratory at Art et Parfum in Cabris, crafted Diorella as a statement of modern womanhood—sporty yet sensual, casual yet composed.

Christian Dior Art De La Table Perfume Bottles 1988

In 1988, Christian Dior added a new line of home furnishings, known as the Art De La Table Collection. Included in the line were lovely crys...